Through drawing and painting, I explore the notion of nature as both resilient and prey to internal conflict. My interest focuses on the asymmetrical relationship between humans and the Earth System, raising questions about the resolution of the human problem and the sacrifices involved. Nature may have created Sapiens, but it also possesses the capacity to undo it.

My artistic practice is part of a pictorial tradition closely linked to the history of art, while reinterpreting it through the prism of our times. It draws on the collective imagination to explore the tensions inherent in the human experience, both ephemeral in its nature and enduring in its consequences. On a formal level, my work reactivates certain codes of Romantic aesthetics - exaltation of the sublime, fascination with ruins, melancholy of the landscape - while injecting a surrealist sensibility, where the dreamlike and the strange open up new readings.

The very materiality of painting, through its durability, links me to the five centuries of creation that precede me as much as it projects me into the unknown of the next five. In this way, my landscapes - both interior and universal - question the place of man in the continuum of time, in a world suspended on the brink of the abyss. I perceive ghosts, ruins, birds of misfortune and fiery fissures, revealing symbols of our condition.

Although the conception of the end of the world has long been apprehended through metaphysical prisms, it is now inscribed in the tangible consequences of human intervention. In response to the collapse of perspectives and persistent blindness to the threat, my iconography weaves together anxiety and contemplation, as a silent way of grasping the irreversible.





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