My artistic practice explores the poetic potential of the asymmetrical and codependent relationship between humanity and its environment. In an era defined by uncertainty, the end of a world is no longer a metaphysical concept: it manifests through the tangible repercussions of human action. My work thus revolves around the juxtaposition of visions of hope and collapse, seeking to examine the inherent tension of our condition: a presence that is ephemeral by nature, yet whose ecological consequences are enduring.

To address these contemporary issues, I anchor myself deeply in the history of painting and draw from the Western collective imagination. The very materiality of paint grounds me in a creative continuity spanning five centuries, while projecting my work into the unknown of eras yet to come. On a formal level, I reappropriate the codes of Romantic aesthetics—the exaltation of the sublime, the fascination with ruins, and the melancholy of the landscape—infusing them with a singular, oneiric dimension.

The pictorial space thus becomes a realm where ghostly apparitions, fallen architectures, and augural figures unfold. These elements act as metaphors for our current condition, questioning our place within the temporal continuum in a world at a tipping point.

Faced with the collapse of certainties and the collective denial of the looming threat, my iconography establishes a dialogue between anxiety and contemplation. Ultimately, it asserts itself as an act of visual resistance—an invitation to confront the irreversible in order to engage in a sensitive reappropriation of our future.